Boomerang Theatre Firm’s world premiere of Mercutio Loves Romeo Loves Juliet Loves at ART/NY places a Shakespearean twist on coming of age and popping out in NJ in 2005. Written by Gina Femia, the youthful, humorous, and touching story follows three seventeen-year-olds at an illiberal all-girls Catholic faculty, the place they’re forged within the eponymous roles for the college play and turn into intertwined in rehearsals, friendship, and romantic sights – although, as indicated by the title, to not the identical ones who’ve a crush on them.
Leah Nicole Raymond and Stacey Raymond. Picture by Isaiah Tanenbaum.
The present opens with longtime BFFs and drama membership regulars Ellie and Britt adamantly professing their shared hatred of cheerleaders, after a homophobic assault by members of the squad that left Britt minimize and bleeding, and straight bestie Ellie wiping the blood from Britt’s face. However that across-the-board aversion doesn’t final lengthy, when Amber, whose leg was injured whereas cheering, will get the position of Juliet reverse Britt’s Romeo, Ellie (who was anticipating to be Juliet) is forged as Romeo’s greatest good friend Mercutio, and the three turn into more and more open and bonded with one another as they put together for the play collectively, do warm-up workouts and dance (full of life choreography by Brad Landers), and share the truths about their sexual identities, and in the end, their dashed emotions for one another.
Beneath the colourful course of Scott Ebersold, the quick-paced three-hander captures the vitality and spirit, speech patterns and attitudes, strikes and demeanors of Twenty first-century teenagers – earlier than the omnipresence of cell telephones – in extremely entertaining and empathetic performances by Leah Nicole Raymond as Ellie, Stacey Raymond as Britt, and Rocky Vega as Amber that render their characters relatable and likeable, preserve us laughing at their quips and rooting for his or her happiness, and remind us of the common rising pains and anxieties of adolescence.
Rocky Vega. Picture by Isaiah
There are hilarious scenes of the out and outspoken Britt coming from yet one more detention for difficult the restrictions imposed by the college (together with the prohibition of any kissing within the efficiency of Romeo and Juliet), Amber changing into fully exasperated by not having the ability to bear in mind the strains of the play, to know what they imply, or to carry out the warm-up train easily with Britt, Britt and Ellie inscribing foolish names on tombstone decorations for the Halloween Dance (the place women aren’t permitted to bounce with one another), Ellie displaying up costumed as a zombie cheerleader, the chums fangirling to “My Heart Will Go On” and “Defying Gravity,” having a drunken sleepover and enjoying By no means Have I Ever with explosive outcomes, and, usually, simply being youngsters. And there are heartrending segments of the rejections of their romantic advances and emotions of betrayal which are delivered with real emotion, as is Ellie’s simpatico interpretation of Mercutio as not simply Romeo’s greatest good friend however because the one (s)he loves.
Stacey Raymond and Rocky Vega. Picture by Isaiah Tanenbaum.
Supporting the superb forged is a telling inventive design. The set by Emmett Grosland recreates the look of a conventional Catholic faculty, with a small stage within the auditorium, doorways, a bench, the St. Williams Academy brand inscribed on the ground, and a big crucifix looming over the scene, then shifts simply to the bed room the place the three have their more and more fraught sleepover, enhanced with props by Kristen Vanderlyn, lighting by Derek Van Heel, and sound by Sam Kaseta (together with the noise of the scholars outdoors, the college bell, and a soundscape of the pop hits of the time). And costumes by Brynne Oster-Bainnson are each character-defining (Ellie wears the plaid skirt and knee-socks of the ladies’ uniform, Amber is dressed as a cheerleader, and Britt, who refuses to put on a skirt, dons a boys’ uniform of gray pants) and plot-defining (with the sidesplitting Halloween costume of the zombie cheerleader and the historic stylings of Romeo and Juliet).
Leah Nicole Raymond and Stacey Raymond. Picture by Isaiah Tanenbaum.
Operating Time: Roughly 90 minutes, with out intermission.
Mercutio Loves Romeo Loves Juliet Loves performs by means of Sunday, November 24, 2024, at Boomerang Theatre Firm, acting at ART/NY, The Jeffrey and Paula Gural Theater, 502 West 53rd Avenue, NYC. For tickets (priced at $10-80, plus charges), go surfing.
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