By Lorraine Treanor
Joey Parsons. She is among the many most ceaselessly solid actors on the Up to date American Theater Competition in Shepherdstown, West Virginia, showing, to this point, in six performs, all however one world premieres. This award-winning New York actor has given first voice to, amongst others, Heather, the tormented trainer in Johnna Adams’ Gidion’s Knot, and two characters named Girl — one chaotic and set-upon and the opposite a daring conjurer — in Allison Gregory’s tackle the Greek fable Not Medea. In a single season, she was Jan in Michael Weller’s two-actor 50 Phrases, a couple of marriage on the level of combustion, carried out within the tight confines of a tiny kitchen, and, with barely a two-hour break between reveals, performed Linnie and her sister Sara in Victor Lodato’s Expensive Sara Jane. That function prompted theater critic Tim Treanor to put in writing what, to me, is true every time I see her: “Occasionally there is an actor who is so suited for her role that you immediately suspect the part was written for her.”
Joey naturally hews to new performs. She has labored with actor/playwright Kate Hamill earlier than and is now enjoying 4 supporting roles in Hamill’s world premiere The Gentle and The Darkish (The Life and Occasions of Artemisia Gentileschi) onstage at 59E59 Off Broadway. This can be a play concerning the Seventeenth-century girl who was decided to be an ideal painter. Kate performs Artemisia and has handed Joey the pivotal function in a transformational scene that not solely cracks open the tragic story to disclose the artist’s eventual approach but additionally induced me to mirror on the inventive freedom of acclaimed artists right now equivalent to Jadé Fadojutimi.
A few of you take pleasure in theater as magic and like to go away the offstage lives of its creators a thriller. You’ll be able to depart us right here to catch Joey’s efficiency via December 15, 2024, at 59E59.
For the remainder of you, collect shut. Our dialog is underway.
LEFT: Joey Parsons self-portrait, picture by Joey Parsons; RIGHT: Joey Parsons, picture by Laura Rose.
Lorraine Treanor: I perceive you grew up in Santa Fe, New Mexico. Do you keep in mind the primary play you noticed?
Joey Parsons: I’ve at all times been such a stressed spirit, and as a really younger particular person, I couldn’t wait to go away Santa Fe. It’s solely in hindsight that I see what a outstanding place it was to develop up. I used to be surrounded by arts and tradition, and I used to be lucky to fall in with a terrific group of children — all bizarre and scrappy and artistic, and simply bored sufficient that we made up a whole lot of our personal leisure.
I can’t fairly keep in mind the very first play I noticed, however as a grade, we’d typically be bussed to see native theater. I keep in mind a A lot Ado About Nothing on the Armory for the Arts, and an Athol Fugard play that after got here to my grade college fitness center. I used to be at all times thrilled. As skilled actors, we frequently joke-complain about performing in scholar matinees which regularly begin at 10:30 am, however I secretly (normally) have a fairly good angle about them as a result of as rowdy or torpid as the youngsters could appear, there’s at all times at the least one which will likely be actually affected by the expertise. I used to be in an opera once I was seven, enjoying the daughter of the leads. The Santa Fe Opera is world-class and world-renowned, however as a baby, it was simply my magical playland. The solid and crew took me on as a form of mascot, and I discovered a lot about props and costumes, and to today, the odor of freshly minimize lumber takes me proper again to that extraordinary time. It’s the odor of creation, of pleasure, of enjoyable, of large pleasure and chance.
I learn that you just initially got down to change into a dancer. What satisfied you to change into an actor?
I used to be an brisk youngster who completely beloved to bop. Recognizing my love of motion, my mom enrolled me in ballet lessons. Although initially resistant, believing it could be too restrictive, I took to it like a duck to water. My favourite place to be on the planet was the ballet studio. In my teenagers, I grew to become extra drawn to trendy dance. One summer time, the Performing Arts College placed on a manufacturing of West Facet Story they usually wanted dancers. I used to be given just a few traces and received fun at every efficiency. That definitely flipped a change inside! I beloved getting fun! I additionally realized that I might use my physique in ways in which made individuals chortle, or maybe not even acknowledge me, which was the most effective praise. In undergrad, I got down to be a dance main, with a deal with flamenco. I adored flamenco — I used to be surrounded by it, rising up in Santa Fe, and it nicely suited my physique kind and elegance. I’d additionally signed up for some theater lessons, having beloved my highschool drama trainer. I used to be instantly solid in mainstage faculty reveals and located the dance division on the time to be … aggressive. Whereas I consider a specific amount of competitors could be wholesome, I used to be simply determining that what I beloved most was collaboration. It’s the place I felt most full. It’s the place I felt I excelled and grew essentially the most. I started to get excruciating shin splints from all of the flamenco lessons, and so the gradual shift to a serious in theater felt seamless and proper.
What out of your early coaching remains to be part of your toolbox?
I’ve had some marvelous lecturers, each in dance and in appearing. Steve Dobuszynski, my highschool drama trainer, translated each line of Romeo and Juliet into trendy vernacular. I couldn’t consider how a lot sense it might make! In skilled auditions, it’s once I went again to the considered “How do I make this clear? How do I say this and sound like a real person, rather than a person ‘doing’ Shakespeare?” that I really began reserving Shakespeare. Actually, it’s all I used to be employed to do for a few years! I had just a few implausible lecturers in faculty, too, who inspired an unlimited quantity of play and exploration. I particularly beloved creating the physicality of characters. I beloved going to Thriftown and spending $5 or $10 on an outfit for a one-act ultimate or scene examine for sophistication. And I keep in mind a number of situations during which it was acknowledged that I had a penchant for working from the skin in fairly than the opposite approach round, and I used to be inspired to feed what fed me. If that’s the place I used to be getting my concepts, if that was what was the reason for my work any good, and if there was any good to it, I used to be inspired to soldier on in that path. I really feel I used to be steered in one other path at Yale, guided to be extra inside, which was simply as useful however not as simple for me. I really feel like I’ve settled into a stunning amalgamation of the 2. Each methods have mellowed and stewed inside me for sufficient time that I’ve many superior instruments at my disposal for any given function.
Joey Parsons, Rachael Balcanoff, and Ben Chase in ‘Not Medea’ at Up to date American Theater Competition 2016. Picture by Seth Freeman.
Is the actor’s life what you imagined?
Ha! Effectively, sure and no. I believed it could be extra profitable. I believed it could be much more glamorous than it’s. I believed it could be events and premieres and pink carpets. Now? Lordy, I can’t get away from any of these issues quick sufficient. Uta Hagen believed that one may begin appearing for fame and a focus, however the motive one retains appearing is for real connection, to viewers, to self, in pursuit of understanding the complexities of humanity and feeling. In pursuit of communion. That is completely my expertise. I believed that I’d meet essentially the most distinctive individuals as an actor. And in that division, I used to be spot on. I’ve typically been requested if I’d encourage younger individuals to pursue the humanities. I wholeheartedly say sure. I’ve met the most effective individuals in pursuit of this profession. The kindest, smartest, most enjoyable, most inventive individuals. I’ve constructed a theater household on this metropolis and throughout this nation. These individuals have taught me a lot about lives and ideas and experiences I’d by no means in any other case have recognized about. Not a whole lot of jobs try this. I believe it’s an unlimited perk.
How do performs come to your consideration and what do you search for in a task?
I’ve been lucky lately to be supplied work by playwrights and administrators who know my work nicely and with whom I’ve developed good relationships. I’m at all times on the lookout for connection. One thing concerning the function that resonates with me, whether or not a flip of phrase or an motion. It is extremely uncommon, however I’ve sometimes turned down a proposal or an audition for one thing that I simply felt nothing for. Definitely not that the work wasn’t good, however I knew in my intestine that it was not a great match. I like roles which can be bodily. However I additionally like challenges. I labored a number of seasons at CATF the place I used to be solid in much less bodily, extra deeply emotional roles. I beloved the problem. I loved proving to myself that I might get “there” in some way, to these uncooked, frantic, frightened locations.
I’ve learn that you just take pleasure in working with playwrights throughout script growth.
I began performing as a result of I preferred the applause. However as time went on, I found that what I take pleasure in most is collaboration. I actually, actually love creating, and I particularly love creating as a part of a workforce. I don’t ever need to change a playwright’s imaginative and prescient. I don’t need to rewrite something. What I need to do is be a form of conduit. I’m a fast examine, I memorize nicely and quick, and I’m intuitive. If I’m having a tough time memorizing, it normally means one thing concerning the line isn’t ringing true. Mentioning this to a playwright has at all times been taken superbly, and the way it’s meant — as a proposal to make the work even higher than it already is. I as soon as illuminated a personality trait for a playwright by emphasizing a line a sure approach! She hadn’t even considered it that approach, however as soon as I stated it, it opened up prospects for good rewrites. She wrote it. I solely expanded on it. And we simply saved constructing off one another. That form of factor is magic.
You may have been solid in a number of Kate Hamill performs. Inform us about working along with her.
I’m undecided what good I did in a former life to deserve the reward of being one of many Hamill cadre of actors. I knew her husband, Jason O’Connell, first and fangirled throughout Kate once we had been first launched at one in all his performances. I immediately adored her and hoped she preferred me! (I believe she does.) I’ve labored with Kate the actress, Kate the playwright, and typically when she’s sporting each hats. that idea that youngsters don’t want mother and father to be their buddies; they want their mother and father to be mother and father? To be in cost, to offer their youngsters the reward of security and construction, not essentially friendship? Effectively, Kate mysteriously provides each. I’ve been in a number of rehearsal rooms with Kate the playwright, and by no means have I recognized somebody extra collaborative, open to suggestion, extra into play however agency in her beliefs. When she’s in cost, I really feel secure. I really feel I’m being led by a wise one that is aware of what she needs, what she wants, isn’t afraid to ask for it, however can be type, compassionate, goofy, scrappy, joyful, and human. She’s concerning the smartest particular person I do know however is sensible with out making others really feel silly. Her performs are presents. They permit a lot room for particular person interpretation and play. I’m most full when performing her performs. Additionally, I completely love that she has a “no jerks” coverage.
Kate Hamill as Artemisia and Joey Parsons as Maria in Major Levels’ 2024 manufacturing of ‘The Light and The Dark.’ Picture by James Leynse.
The Gentle and The Darkish made its world premiere on the Upstate New York Chautauqua Theatre. Performances started August 10. When did you first become involved with the play, and the way did you see it evolve?
I did an off-the-cuff studying at her agent’s workplace shortly after she’d written the primary draft. Kate then requested me to be part of a several-day workshop of the play at The Eugene O’Neill Theater Middle somewhat over a 12 months in the past. She solely just lately advised me in our shared dressing room at 59E59 that she wrote that four-character monitor with me in thoughts, and I virtually burst into tears of gratitude. It has been just a few years now, however as with most of Kate’s performs, I really feel it was fairly nicely completed at that first studying. She then refined and polished and made cuts right here and there, however it was a powerful script proper out of the gate. Highly effective, and totally different. My favourite time of any course of is rehearsal. That tremendous collaborative half. However I don’t assume a efficiency is completed on opening night time. I hold making an attempt to find new issues. I walked off stage on closing night time in Chautauqua and advised Kate, “Well, I just made a giant discovery about Tuzia. I’m glad I get another crack at this later this year!” And even now that we’re open in New York Metropolis, we typically meet again up in our dressing room reveling at some new approach we discovered of responding to one another on stage. I don’t ever need to be accomplished. I’m at all times discovering one thing new and fantastic on this play.
In addition to a deep dive into the historical past of the Seventeenth-century painter Artemisia Gentileschi, Kate advised TDF that she took portray lessons. How did you put together to your 4 roles?
It was essential for me to make every one very distinct. Immediately, for me, that meant physicality. The place every character’s “center” is. Maria is earthy and relaxed and all pelvis. Tuzia lives within the pinched, bitter expression on her face. Matteo is a long-limbed tween who feels awkward in his physique and in entrance of individuals. Mom Superior is all elbows and angles, up and down, bony fingers pointing in the direction of righteousness. Every character additionally speaks from a unique place — deep and chesty, or cracking and excessive within the head. Mellow and clean, or sing-songy, like a warning. It was extra pure for me to work from the skin in on these roles since they’re all so totally different and supporting to Kate’s lead as Artemisia.
There’s full onstage nudity for each you and Hamill as a pure extension of your scenes — you as an artist’s mannequin and he or she because the painter imagining her self-portrait. Did this take particular dealing with in rehearsal?
Kate and I are naturally fairly comfy in our our bodies. We had intimacy coordinators each in Chautauqua and in New York who had been there to be our advocates for what felt comfy. Most fortunately (per Kate’s no-jerk coverage), we had a room filled with respectful artists who at all times made us really feel comfy and supported. Principally, although, we now have distinctive crew and dressers, and as I share a dressing room with Kate, we’re tremendous supportive and body-positive round one another. I believe it’s essential to really feel that sort of assist backstage in order that there isn’t any trepidation on stage.
Why do you assume this play a couple of Seventeenth-century painter is impactful right now?
Oof. As a result of it’s nonetheless occurring, isn’t it? Even when it’s for a cut up second, there’s typically a second of pondering, “His word is worth more than hers.” There’s typically nonetheless skepticism {that a} girl’s work could possibly be equal to, if not surpass, that of a person’s. There are nonetheless sexual predators in positions of energy and individuals who flip a blind eye. As a result of individuals typically discover themselves in not possible, distressing, miserable conditions and don’t have the means or assist to go away. As a result of we are going to at all times be difficult, resilient creatures trying to find gentle within the darkness. We are going to at all times be looking for hope within the bleak.
You reside in New York Metropolis, however a whole lot of your work is out of city. What’s your own home like? And the way do you convey dwelling with you on these lengthy stays away?
I dwell in a candy, sunny little condominium on the highest of a pre-war constructing in Manhattan. I name it my cabin within the sky and half-joke that I can by no means depart it. I significantly have a nightmare about 4 occasions a 12 months that I’ve on condition that condominium up. It could actually get messy, however it’s well-appointed and adorned, and there’s no place on earth extra comfy than my mattress. I’m saying it’s arduous to go away my condominium for a number of months at a time. Actor housing on regional jobs typically leaves quite a bit to be desired. So I’ve discovered to convey alongside what’s going to make issues somewhat nicer, somewhat simpler for me whereas I’m away. A very good skillet and a great knife. You’d be stunned how typically these issues are lacking from actor housing. One in all my good feather pillows. Books. I may also say that as annoying as it may be to reach at a brand new office and never have issues I believe I might have, it’s fascinating how shortly I adapt. It’s useful to remind myself how little I really require.
What would an ideal playday be for you?
I initially thought my reply to this could undoubtedly be a day like right now — a matinee with a full, responsive home, adopted by dinner with buddies, adopted by a day without work. However actually, I really like a two-show day, too. Two probabilities to assault the fabric in two totally different states of physicality and thoughts. We’ve got about two hours between reveals on two present days, and I’ll run out and seize some meals after which come again and spend time with varied solid mates and crew whereas I eat. There’s little or no house backstage at this theater, so the women’ dressing room has change into a form of wardrobe/props/inexperienced room. I find it irresistible. I really like joking round with these individuals. That’s actually the most effective half. The one issues I want I had been at the moment higher about could be exercising and ensuring I used to be writing and meditating daily. I am going via phases with all the above and attempt to not be too arduous on myself if one or three fall off throughout a present run.
From working with playwrights within the early phases of their performs, have you ever considered writing performs?
Ugh. Sure. I’ve taken just a few playwriting lessons and have been inspired by a number of buddies, together with Kate. However I wrestle with feeling I’ve no new or good concepts. I do know this isn’t true, and as soon as I’m via the crappy first draft of something, I’m impressed, however getting via that first draft is a lot more durable than one would assume. I’m somebody who wants construction and strain. I can give you actually terrific issues if given a deadline — if somebody outdoors of myself is relying on it. If anybody on the market want to fee one thing from me, I’m recreation, and I don’t assume you’d be sorry!
If you happen to had been to put in writing your memoir (sure, please!), what would you most need your readers to learn about you? And what would the title be?
Wow. What a query. It feels huge. Whereas definitely experiencing my share of heartbreak, I’ve been exceptionally lucky. I’d must discover a unique approach to a memoir. I really like studying memoirs and am particularly drawn in when an writer finds an sudden solution to hyperlink their expertise to one thing I’ve thought or felt. It helps me really feel much less alone. I believe I’ll have unintentionally created a solitary and impartial air to my persona. I by no means needed youngsters of my very own and whereas marriage isn’t off the desk, it has by no means been one thing I sought out. Nonetheless, I’m dedicated to my household. And I’ve created a household of buddies I’d be misplaced with out. I’d need my readers to know that persons are essential to me. Connection, feeling seen, and permitting others to really feel seen … that’s so essential to me. I’d need to make my readers really feel much less alone on the planet.
As to a title? Ha! That’s a tricky one. I’d have to consider it. However one thing does come to thoughts. For a few years, every time I ask a query on social media — a suggestion for a doctor or a restaurant — I finish the request with “Please, and Thank You.” As a result of I consider it’s nice to be well mannered. And I most undoubtedly consider in gratitude. The one solution to get what you want is to ask. And the one solution to hold getting the great things is to be grateful.
The Gentle and The Darkish (The Life and Occasions of Artemisia Gentileschi) performs via December 15, 2024, introduced by Major Levels acting at 59E59 Theaters, 59 East 59th Avenue (between Park and Madison Avenues), New York, NY. Buy tickets on-line.
This system for The Gentle and The Darkish is on-line right here.
Lorraine Treanor
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